Download , by Hanif Abdurraqib
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, by Hanif Abdurraqib
Download , by Hanif Abdurraqib
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Product details
File Size: 567 KB
Print Length: 216 pages
Publisher: University of Texas Press (February 1, 2019)
Publication Date: February 1, 2019
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B07K7T86J9
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Amazon Best Sellers Rank:
#66,234 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
I cannot express how much I love this book. Finished it, started it over kind of love. Hanif Abdurraqib has an unbelievable ability to connect what music means to our smallest selves and how it impacts to our largest issues. In a word: Brilliant.
My wife bought me this book because of my love of ATCQ. Within the first chapter I realized that I am also a fan of Hanif Abdurraqib! This "love letter" is a really powerful work about how our love of art impacts and shapes our lives. Much more than a simple bio of Tribe, this book is a reflection on growing up in the late 90's and entering adulthood after the turn of the century. While there is more than enough information contained within to please any fan of A Tribe Called Quest, Mr. Abdurraqib uses this as a jumping off point to look at how our admiration of artists whose works touch our lives and the "relationships" that we have with those artists can affect us on a far more personal level. Beautifully written from cover to cover and a joy to read. We all need more of this kind of writing in our lives. I will be checking out Hanif's other work!
What do I say? I read this book in one day, and I was drawn in and moved at nearly every page. I appreciate an author who can express deeply about a subject without the need to profess perfect understanding. Honestly I just finished it and am still working out the ways in which this book is fantastic.
"They Can't Kill Us Until They Kill Us" was a masterpiece, so I jumped into Hanif's next work without any real background or attachment to A Tribe Called Quest. And I still couldn't put it down. Powerful prose, emotional memories and stories, and the added bonus of getting me super into a hip-hop group.Two major takeaways: I'm a Day One purchase for Hanif's next, and I can't stop listening to Midnight Marauders.
Hanif,Thank you for your words, for your thoughts, and for your meditations. As you reflected on the impossibly great music that Tribe produced, you created the impossibly great book explaining, contextualizing, and honoring that music. This is the book that we all wish we could have written.
A poetic love letter to one of the most influential groups in the history of music..
i love this book: a poetic, moving reflection on what it means to be a ‘fan.’ why do we love the music we love? why do we hold certain artists in reverence? what do we do when those artists fail us in some way, when we feel betrayed by them, by their art?i learned much reading “go ahead in the rain,†learned about the crash that killed otis redding; about the sad fate of child prodigy, rapper chi-ali; about what exactly went down, that one fateful night at the source awards.i gained an appreciation for q-tip’s true genius, his work ethic. i learned of jet magazine’s genesis story (“a small magazine started by one black man and some furniture as collateral started a movement once, they sayâ€). i was reminded of what it was like, growing up in the 90s.remember mixtapes? “no skippable songs,†abdurraqib writes. “the trick was recording from cd to cassette. recording from cassette to cassette was an option but only for the desperate†because: sound quality.remember how insane/amazing those source magazine covers were? the one with missy and timbaland reenacting a scene from the matrix? the one where dre holds a gun to his head?start to end, this book is awesome (chapter 10, 'family business' destroyed me DESTROYED. 'common ground' took a knife to my heart) but i think what i'll remember most are the open letters abdurraqib writes, to q-tip,to phife. the letter about a tribe called quest’s second album, “the low end theory†was exceptional. they didn’t deserve the album, abdurraqib writes to tip, but you gave it to them anyway."there are cookouts and 'soul train' lines on this album. there are hot rooms and hot card games. i imagine the low end to be anything you could touch once but is now just a fading dream. i imagine the low end to be a bassline that rattles your teeth, too. but i also consider the low end to be the smell of someone you once loved coming back to you. someone who sang along to aretha, or minnie, or otis. someone who loved you once and then loved nothing.â€okay? o-kaaay. five stars, obviously. thank you for your art, hanif abdurraqib.
I enjoy his perspectives.
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