Free PDF , by Franz Wright
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, by Franz Wright
Free PDF , by Franz Wright
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Product details
File Size: 946 KB
Print Length: 97 pages
Publisher: Knopf (August 27, 2013)
Publication Date: August 27, 2013
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B00BO4GTOM
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Amazon Best Sellers Rank:
#684,618 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
I have long been a reader of Franz Wright and believed him to be one of the freshest, most interesting poets currently writing in English. This book, however, is astonishing. It is lyrically beautiful, emotionally straightforward, deeply intelligent poetry. There is not a line in the book that sounds mannered or false or leans solely on the beauty of language for its effects. These are articulate reflections on mortality, loss and human vulnerability that will be still be read two hundred years from now. While it seems some current poetry seeks to shock or confound with its images, or else has grown hopelessly simplistic in an effort to draw audiences back to reading poetry, these are poems that point us in the direction poetry should be moving. They are modern yet readable, raw and vivid at times, yet never luridly and gratuitously shocking, and they are guided throughout by a smart and penetrating but never mawkish compassion. No self-pity here, just deep understanding of what it means to be a mortal human--the reason we read poetry to begin with. It would be reductive to isolate a few sample lines here so I won't. I would place this book on a shelf among a few dozen others everyone should read.
great.
These poems spoke to me with great eloquence. He wrote from a place all of us will go eventually, where we must ponder life and the end of life.
This is my first encounter with Franz Wright. I sense that it would have been better to be introduced to him through an earlier book. F -- the title is the sixth letter of the alphabet, and when Wright comes across it in an old disintegrating notebook he wonders whether the capital letter stands for his name or his grade in life -- is a disorienting, discomfiting, bitter and anguished jeremiad. It reflects a man whose life, at least in the main, has not been happy, one who has been visited with insanity, illness, and drugs. It is intensely personal and often inscrutable. Reading it was something like walking along a city street and being accosted, suddenly, by a street corner preacher haranguing passersby with garbled threats of doom and visions of glory. The passion is manifest, but the message is impenetrable.F is divided into three parts. The first contains fifteen pieces, seven in the form and format of free verse and eight being short pieces of prose. With the exception of two pieces, I found the contents of Part I without meaning or merit. I was projecting a two-star Amazon assessment. Part II, entitled "Entries of the Cell", is eighteen pages long; it is a mélange of prose and verse and what are perhaps jottings in a journal. It reveals enough of the author's disturbed world to engender a sense of empathy and to begin sweeping into one pile the shards from Part I. Part III contains seventeen pieces, again roughly divided between free verse and short pieces of prose. About half of these pieces touched me sufficiently to mark them to return to in the future. Perhaps by Part III I was better prepared for the weirdness of Wright's world or perhaps its pieces are simply better and less intractably personal.Articulating my response to F is proving difficult. Reading it is to encounter one man's existential life in the raw, unmediated by any of the trappings of civilization. In the words of one of the pieces ("Rain in Waltham"),"* * * I am having trouble dealingwith this most recent illustrationof the impersonal, endlessly patientindifference of the universe"
Delicious. Reading these poems is a breathtaking, haunting, painful and sometimes hilarious adventure. The poems "Elderly Couple," "Four Semi-Dreamt Poems," "Lamp," "Panhandler," "Spell," "To," "Crumpled-Up Note Blowing Away," "Four in the Morning," "Nativity," "Whispered Ceremony," and "Peach Tree," to name a few, never stale. I want more.
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